Why would you use a small parabolic mic instead of a shotgun mic?
Shure, one of the leading microphone manufacturers, list this misconception as one of the Top 8 Microphone Myths. To quote, “The reality is that microphones do not reach out and grab the sound from a distance. They merely measure pressure variations right at the diaphragm itself.” and “The one specification of a microphone that loosely corresponds to the concept of reach is directionality or the microphone’s polar pattern. The directional characteristic of a microphone describes how much sound it picks up from ambient sources compared to how much it picks up on-axis.”
Many believe that all shotgun microphones have very tight pickup patterns similar to the polar pattern on the right. Unfortunately, this polar pattern shown is for a lobar microphone while only very few shotgun microphones have a lobar pattern. Most low-cost shotgun have a cardioid polar pattern while medium cost shotgun microphones have hyper-cardioid, or super-cardioid polar patterns. (This Premium Beat web pageprovides a great explanation of these polar patterns.)
It may be worth reviewing how shotgun mics work. As the Sound on Sound website explains, “All shotgun mics employ a standard directional capsule — usually a supercardioid — but with a long, hollow, slotted ‘interference tube’ attached to its front surface.” and “The idea of the interference tube is that the wanted on-axis sound passes straight down the length of the tube to the capsule diaphragm unimpeded, but the unwanted off-axis sound has to reach the diaphragm by entering the side slots.” As Shure explains “On-axis sounds share a uniform path length to the microphone capsule. Because they arrive at the same time, they end up being what we call “in phase” and are thus accepted by the mic element and passed down the audio circuit.”
However, the interference tube has its own issues. As the Quora website states, “The design has drawbacks: different frequencies have different wavelengths and therefore each frequency is affected in a different magnitude. This causes “coloration” for off axis sounds as components of the original waveform are attenuated differntly according to frequency. This is unavoidable because of the principle of operation.” and “Take a look at the pickup pattern of a lobar microphone. all frequencies are equally represented at 0 degrees, but they are attenuated as you go off axis in differing amounts, resulting in coloration vs the original sound spectrum.” (The referenced pickup pattern is shown on the left.)
Many common “shotgun” microphones utilize a plastic and paper tube instead of an interference tube with slots. Our experience is that this design provides very little directionality. The photo on the right is a Rode Video Mic Pro with the foam cover removed.
Regardless of the design, the interference tube does not provide any amplification. They are simply attempting to block out off-axis sounds. Any amplification has to come from an electronic amplifier built into the shotgun microphone itself. More amplification leads to more “electronic noise”.
The Sound Shark, however, provides a mechanical amplification of approximately six times, due to the characteristics of the collector dish, for the sound coming from in front of the dish. The amplification of the sounds coming from the front of the dish while the peripheral sound is not amplified, or blocked by the dish itself, provides the directionality of the Sound Shark.
Paul Terpstra has more than 35 years of engineering and product development experience. He founded Innalytical Solutions, Inc. in 2004, to provide a wide range of engineering services including forensic engineering, Finite Element Analysis, electomechanical design, machine design, and machinery repair. Paul was recently granted his eleventh U. S. Patent.
In April of 2012, Paul and Patrick Santini, an Innalytical Solutions customer, created Klover Products, Inc. Previously in 2011, they had jointly dveloped a parabolic microphone for Fox Sports when Fox audio engineers grew disatisfied with the available products. That original test unit turned out to be the first prototype of the microphone that would later become the Klover MiK 26. The Klover MiK 26 parabolic microphones have been used exclusiely by Fox Sports for football broadcasts since 2012.