Audio for Video

micSo, you've bought a shiny new digital video camera and you're blown away by the image quality. But what about the audio?

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Adventures in Sound Editing - Part 2

MixerGoing for the Take: Okay, you've got your mixer and your equalizer.

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The Physics of Sound

Learn the attributes of sound, how we hear, measure and record sound.

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Adventures in Sound Editing

MixerImagine the tape you made of your kids' last camp out. It's got some crickets on the sound track.

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Lavalliers, Shotguns and Handhelds, Oh My!

So, you've got a small budget and you finally believe that the audio you capture for your project is just as important as the video, (we told you so!) but you can only purchase one mic.

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DIY BoomPole

How does $25 for a boom pole sound? 

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Audio Location Scouting

Visuals aren’t the only thing to consider when you’re scouting locations. Audio is just as important. Just because a location looks good doesn’t mean it sounds good.

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Monitoring the Soundtrack - The Boom

Booming00Last month, Fred Ginsburg talked to us about the importance of monitoring the sound track during our shoot. This month, we continue with the special needs of the boom operator.

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Boom Operating Techniques

The boom pole is used to suspend a microphone over the actors on set.

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Monitoring the Soundtrack

HeadphonesA cameraman would never judge composition and good lighting based on what he or she hears. Likewise, a soundperson would be a fool to record audio based solely on what they see.

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Natural Sound to the Rescue

Two minutes of extra work on the set or in the field can save you hours of headache in the edit bay. You just need to remember to do it.

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Practice Makes Perfect

mic

I’m always amazed when I see musicians perform complicated pieces with a look on their face like they don’t have a care in the world. Whether they first chair in an orchestra or play lead guitar for a hair band, they have that simple look of enjoyment as they play their instruments effortlessly.

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Sound for Film and Television

The Boom—Why, Isn’t That Old Fashioned?

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A Crash Course For Mixing Sound – Part II

MixerMeters1There’s a reason why your Grandma’s apple pie tastes so much better than the pie you purchase at the grocery store. The reality is that both the store and Grandma have the same ingredients: sugar, flour, apples, etc. Nevertheless, Grandma’s apple pie seems to melt in your mouth, while the store-bought pie seems stale.

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Location Recording Techniques

LocationRecordingThe primary objective of the production sound mixer and the boom operator is to capture clean dialogue on set.

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Sync Tanks - Part Three

SyncTankImageWith soundtracks much more dense than in the past, the present generation of moviemakers has seen an exponential growth in the number of people who work on the sound after the film has been shot. Last month in the second installment of Elisabeth Weis' articles we explored ADR and beyond.  In this, the final installment we pick up scratch mixes and temp tracks.

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The Boom Mic

The boom pole is a extendable pole used to position a microphone in the proper proximity above the actors on set.

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Sync Tanks - Part Two

SyncTankImageWith soundtracks much more dense than in the past, the present generation of moviemakers has seen an exponential growth in the number of people who work on the sound after the film has been shot. In this, the second installment of Elisabeth Weis' articles we explore ADR and beyond.  Next month in the final installment we pick up scratch mixes and temp tracks.

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Building an Audio Recording Room

Clean, clear audio is an essential aspect of any professional production, but many (if not most) videographers underestimate its importance.

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Crash Course for Mixing Sound-Part 1

MixerMeters1Recently, a sound design forum that I belong to debated on what the audio levels should be in a film. I, of course, chimed in. I was surprised that there were so many different opinions. The group is a good cross section of the sound design community being made up of amateur, prosumer and professional participants. However, despite this eclectic group, there was no definitive answer. There were some guidelines and a general understanding, but still no definitive answer. So, how do you go about mixing sound to picture? I'm glad you asked!

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Recording Sound Effects

SFX00Movies with true organic sounds, imagined futuristic electronic audio, and even the everyday noises around us, aren't complete without good sound effects.

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Sync Tanks

SyncTankImageThe credits for John Ford's My Darling Clementine (1946) include Wyatt Earp as technical consultant but only one person responsible for all of postproduction sound (the composer). The credits for Lawrence Kasdan's Wyatt Earp (1994) list the names of thirty-nine people who worked on postproduction sound. The difference is not simply a matter of expanding egos or credits.

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Microphone Pick-up Patterns

There is a region around each microphone called the pick-up pattern, in which sounds are best captured. 

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Our Camcorder Classroom - Part Five - Sound

Let’s put the bad news right up front:

Sound seems simple, but it’s actually one of the most difficult parts of typical video production to understand and get right. This is partly because we so often underestimate its importance in the overall scheme of things.

To underscore this reality I have a simple demonstration I do in every seminar I teach on sound-related topics.
First, I instruct the class to look around and get comfortable that they are in a safe and secure environment. Then I ask them all to close their eyes for a moment.

When all eyes are closed, I loudly announce. “My name is Bill Davis. I live in Scottsdale, Arizona and I’ve been making videos professionally for more than 20 years.”

Next, I ask them to open their eyes, and I SILENTLY mouth the words “I’ve been married to my wife Linda for more than twenty-five years and I have one son named Mike.”

Confronting their puzzled glances I quickly say, “OK, you’ve just experienced the SOUND without the PICTURE—followed by the PICTURE without the SOUND. Which gave YOU more useful information?”

The point of the exercise is to acknowledge that quite often sound is MORE important than the picture.
Sound information might be in the form of dialog, narration, or even the scene-setting background of the location, but make no mistake, SOUND is often doing the communications “heavy lifting” in movies and on TV.

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Audio Sweetening

Rarely will a video producer lay down an audio track and leave it. Good, recorded sound is essential in any production,

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Packing my Sound Recorder

Capturing sound is one of the most important aspects when creating the perfect story.

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Selecting Boompoles and Shotgun Mics

Many articles have been written about the value of a boompole and good shotgun mic when it comes to achieving quality Production Sound. (Well, folks, here’s one more!)

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Do-it-Yourself Hoop Windscreen

WS01It's time to record the narration for your next video production. You want to produce the best audio quality possible, keeping your narration free of plosives, but can't bring yourself to part with $30 to purchase a hoop-style windscreen like the pros use.

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Shooting to Sync Playback - Part Two

Technical Aspects of Shooting to Sync Playback:

Non lip sync sequences for Music Videos are relatively easy.

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10 Common Audio Mistakes

TenCommonListen up! Sound is important to your video. Here are some tips on how to record it, edit it, deliver it, and make it the best.

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Shooting to Sync Playback (aka Music Videos)

Thematic Concerns:
Music Videos consist of picture cut to a song. Simple enough definition, but we can expand on this somewhat.

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Tune Your Room

0You knew it was possible to tune an instrument, and you've certainly fine-tuned graphics and audio plug-ins, maybe even tuned up a car, but did you know you could tune a room?

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8 Quick Tips for Better Booming

Booming00Sound is one of the least appreciated, but most important parts of filmmaking. It's as much a part of telling your story as the cinematography, art direction, or acting. And if you screw it up, the audience will not forgive you.

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That Same Ol' Audio Question

Audio00It was dinner on the seventh 8am-midnight work day in a row. 

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Audio for Television - Mixing the "Basic" Event

I wish that I could say that the life of a professional Production Sound Mixer consisted only of sitting around on a large, Hollywood feature film set while being obscenely overpaid.

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Sports: Audio for Remotes

BasketBallLayoutThe types of microphones being used and microphone placement is determined during the planning phase.

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Balanced Cables

Audio cables can be the weakest link in the chain of sound recording. When deploying external microphones, videographers need to know the difference between unbalanced and balanced cables.

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Shooting to Playback Audio

Quite often it is essential to shoot musical numbers to playback, the logistics of recording music and shooting film or video simultaneously being too demanding

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Cable Conundrum

Separating the S from the XLR, the USB from the VGA or the DVI and giving you the ABCs on choosing the right cable for the right price.

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