So, you've bought a shiny new digital video camera and you're blown away by the image quality. But what about the audio?
Learn the attributes of sound, how we hear, measure and record sound.
So, you've got a small budget and you finally believe that the audio you capture for your project is just as important as the video, (we told you so!) but you can only purchase one mic.
Visuals aren’t the only thing to consider when you’re scouting locations. Audio is just as important. Just because a location looks good doesn’t mean it sounds good.
The boom pole is used to suspend a microphone over the actors on set.
Two minutes of extra work on the set or in the field can save you hours of headache in the edit bay. You just need to remember to do it.
I’m always amazed when I see musicians perform complicated pieces with a look on their face like they don’t have a care in the world. Whether they first chair in an orchestra or play lead guitar for a hair band, they have that simple look of enjoyment as they play their instruments effortlessly.
There’s a reason why your Grandma’s apple pie tastes so much better than the pie you purchase at the grocery store. The reality is that both the store and Grandma have the same ingredients: sugar, flour, apples, etc. Nevertheless, Grandma’s apple pie seems to melt in your mouth, while the store-bought pie seems stale.
The primary objective of the production sound mixer and the boom operator is to capture clean dialogue on set.
With soundtracks much more dense than in the past, the present generation of moviemakers has seen an exponential growth in the number of people who work on the sound after the film has been shot. Last month in the second installment of Elisabeth Weis' articles we explored ADR and beyond. In this, the final installment we pick up scratch mixes and temp tracks.
The boom pole is a extendable pole used to position a microphone in the proper proximity above the actors on set.
With soundtracks much more dense than in the past, the present generation of moviemakers has seen an exponential growth in the number of people who work on the sound after the film has been shot. In this, the second installment of Elisabeth Weis' articles we explore ADR and beyond. Next month in the final installment we pick up scratch mixes and temp tracks.
Clean, clear audio is an essential aspect of any professional production, but many (if not most) videographers underestimate its importance.
Recently, a sound design forum that I belong to debated on what the audio levels should be in a film. I, of course, chimed in. I was surprised that there were so many different opinions. The group is a good cross section of the sound design community being made up of amateur, prosumer and professional participants. However, despite this eclectic group, there was no definitive answer. There were some guidelines and a general understanding, but still no definitive answer. So, how do you go about mixing sound to picture? I'm glad you asked!
Movies with true organic sounds, imagined futuristic electronic audio, and even the everyday noises around us, aren't complete without good sound effects.
The credits for John Ford's My Darling Clementine (1946) include Wyatt Earp as technical consultant but only one person responsible for all of postproduction sound (the composer). The credits for Lawrence Kasdan's Wyatt Earp (1994) list the names of thirty-nine people who worked on postproduction sound. The difference is not simply a matter of expanding egos or credits.
There is a region around each microphone called the pick-up pattern, in which sounds are best captured.
Rarely will a video producer lay down an audio track and leave it. Good, recorded sound is essential in any production,
Capturing sound is one of the most important aspects when creating the perfect story.
It's time to record the narration for your next video production. You want to produce the best audio quality possible, keeping your narration free of plosives, but can't bring yourself to part with $30 to purchase a hoop-style windscreen like the pros use.
Listen up! Sound is important to your video. Here are some tips on how to record it, edit it, deliver it, and make it the best.
You knew it was possible to tune an instrument, and you've certainly fine-tuned graphics and audio plug-ins, maybe even tuned up a car, but did you know you could tune a room?
It was dinner on the seventh 8am-midnight work day in a row.
The types of microphones being used and microphone placement is determined during the planning phase.
Quite often it is essential to shoot musical numbers to playback, the logistics of recording music and shooting film or video simultaneously being too demanding